The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The butcher-boy, the blacksmith, the surgeon, the Negro teamster. I Hear America Singing Analysis 751 Words | 4 Pages. The overriding theme of Walt Whitman's poem “I Hear America Singing” is the dignity of work. The mason singing his as he makes ready for work, or leaves off work. Synecdoche - Of all the “I Hear America Singing” literary terms, none makes its mark more strongly than synecdoche. The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blitheBlithe (adjective) : carefree and joyful and strong, The carpenter singing his as he measures his plank or beam, The masonsomeone who builds with stone singing his as he makes ready for work, or … I Hear America Singing Summary "I Hear America Singing" is basically a joyful list of people working away. I Hear America Singing: An Introduction to Popular Music explores the evolution of popular music within the broader context of American social, political, and cultural history. Singing with open mouths their strong melodious songs. Summary and Analysis: Inscriptions I Hear America Singing"" The poet hears the "varied carols" of all the people who contribute to the life and culture of America. Article. Both poems are about … Introduction. Famously willing even to contradict himself. Though the poem was written on the eve of the Civil War, it presents a vision of America as a harmonious community. Nobody'll dare Say to me, “Eat in the kitchen,” Then. 11309473F. In “ I Hear America Singing,” the speaker describes various "carols" that arise from different figures in the American working class as people go about their work. Each line of the poem is an example of synecdoche (a special type of metaphor where the parts equal the whole or the whole equals the parts). More by Walt Whitman To Think of Time The mother and the youthful spouse sing, as does the young lady doing her sewing and washing. Whitman writes the poem from his viewpoint using the word “I”. He hears the mechanics, the carpenter, the mason, and the boatman singing. Born on May 31, 1819, Walt Whitman is the author of Leaves of Grass and, along with Emily Dickinson, is considered one of the architects of a uniquely American poetic voice. I Hear America Singing: An Introduction to Popular Music explores the evolution of popular music within the broader context of American social, political, and cultural history. Langston Hughes’ “I too” is a literary response to Walt Whitman’s “I Hear America Singing”. He hears the mechanics, the carpenter, the mason, and the boatman singing. The mason singing his as he makes ready for work, or leaves off work. 1.OF the visages of things—And of piercing through to the accepted hells beneath;Of ugliness—To me there is just as much in it as there is in beauty—And now the ugliness of human beings is acceptable to me;Of detected persons—To me, detected persons are not, in any respect, worse than undetected per- sons—and are not in any respect worse than I am myself;Of criminals—To me, any judge, or any juror, is equally criminal—and any reputable person is also—and the President is also.2.OF waters, forests, hills;Of the earth at large, whispering through medium of me;Of vista—Suppose some sight in arriere, through the formative chaos, presuming the growth, fulness, life, now attain'd on the journey;(But I see the road continued, and the journey ever continued;)Of what was once lacking on earth, and in due time has become supplied—And of what will yet be supplied,Because all I see and know, I believe to have purport in what will yet be supplied.3.OF persons arrived at high positions, ceremonies, wealth, scholarships, and the like;To me, all that those persons have arrived at, sinks away from them, except as it results to their Bodies and Souls,So that often to me they appear gaunt and naked;And often, to me, each one mocks the others, and mocks himself or herself,And of each one, the core of life, namely happiness, is full of the rotten excrement of maggots,And often, to me, those men and women pass unwit- tingly the true realities of life, and go toward false realities,And often, to me, they are alive after what custom has served them, but nothing more,And often, to me, they are sad, hasty, unwaked son- nambules, walking the dusk.4.OF ownership—As if one fit to own things could not at pleasure enter upon all, and incorporate them into himself or herself;Of Equality—As if it harm'd me, giving others the same chances and rights as myself—As if it were not indispensable to my own rights that others possess the same;Of Justice—As if Justice could be anything but the same ample law, expounded by natural judges and saviors,As if it might be this thing or that thing, according to decisions.5.As I sit with others, at a great feast, suddenly, while the music is playing,To my mind, (whence it comes I know not,) spectral, in mist, of a wreck at sea,Of the flower of the marine science of fifty generations, founder'd off the Northeast coast, and going down—Of the steamship Arctic going down,Of the veil'd tableau—Women gather'd together on deck, pale, heroic, waiting the moment that draws so close—O the moment!O the huge sob—A few bubbles—the white foam spirting up—And then the women gone,Sinking there, while the passionless wet flows on— And I now pondering, Are those women indeed gone?Are Souls drown'd and destroy'd so?Is only matter triumphant?6.OF what I write from myself—As if that were not the resumé;Of Histories—As if such, however complete, were not less complete than my poems;As if the shreds, the records of nations, could possibly be as lasting as my poems;As if here were not the amount of all nations, and of all the lives of heroes.7.OF obedience, faith, adhesiveness;As I stand aloof and look, there is to me something profoundly affecting in large masses of men, following the lead of those who do not believe in men. 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